My Rhino Is Not a Myth – A Phenomenology of Art and Body
A phenomenological approach to each of the four projects in the exhibition.
Raluca Oancea (Nestor)
Raluca Oancea (Nestor) is a lecturer at The National University of Arts in Bucharest where she teaches Aesthetics and New Media Art. She holds a degree in computer science and one in philosophy of culture, together with a master of fine arts. She also holds a PhD from The National University of Arts in Bucharest. Her doctoral thesis examines the connection between new media and contemporary art and the presence of classical and new aesthetic categories in the filed of photography, cinema and new media art.
www.Dplatform.ro
Colours. A Deconstructed Painting
From communist gray to the intense green of the leaves on an IKEA bedsheet.
Virtual Dwelling and the Body’s Relationship with the World
The discourse around dwelling insists on the fact that we are what we are according to our buildings and landscapes, and also that there is a natural extension between our body and the world.
SEEN – A New Gaze Marked by Technology
Nowadays, more than ever, seeing and being seen demand technological mediation.
Photography Thinking and Memory Images
Aurora Kiraly's works seen within a non-linear narrative.
The Infection of Identity in the Age of the Body Docile / Quarantined / Without Organs
The probing of identity relates both to the theme of the body and with the types of media involved in the process of analyzing and laying bare identity through art.
Heliography in the Age of Technical Reproduction
The idea of heliography, of including the sun in the art-making process, becomes in this context a way of initiating an archeology of the photographic process.
kinema ikon – A half century of Experiment and Community
ki is among the first projects to reveal the hybrid territory that is nowadays shared by the visual arts, sound art, and the performing arts.
The Absent Museum
The most recent exhibition showcased at Salonul de Proiecte, designed by Mircea Nicolae, reiterates an institutional and methodological critique through its title, The Absent Museum
Voguing and Transgender Poetry on Waves of Tulle
Review of two UNArte Fashion graduation projects that are as valuable aesthetically as they are socially anchored.