The Hierophant was less about art and more about show, but unfortunately it did not rise to the name or transcendence of the archetypal figure of The Prophet/Teacher.
This year, NSK State puts forward a different kind of approach to the issue of immigrants at the Venice Biennale pavilion as well as the alternative pavilion in Vienna.
Hyper-jumps through the ruins of the future: notes, repetitions and digressions in the margins of the exhibition Return to Spaceship Earth at Salonul de Proiecte.
An attempt to amusingly apply aesthetics to chaos (no one knows where/how, but every now and then it becomes bafflingly beneficial) via the exhibition Overthinking how to make a tea at Launloc.
Our exploration of the 2017 Venice Biennial.
A conversation about the complicated relationship between contemporary art and music festivals, with Cosmin Țapu.
The exhibition at Anca Poterasu Gallery unfolds Aurora Kiràly’s activity, which integrates artistic practices with the theoretical, curatorial and educational.
Cristian Răduţă’s exhibition Anatomy of a Journey at ElectroPutere is a “remake” similar to those found in Natural Museums presenting post-factum objects that re-establishes our cosmic odyssey.
Ross Taylor's project at the Ivan Gallery builds a kind of base materialism - materialism devoid of ontology, without a trace of idealism.
Salonul de Proiecte accommodates the internet these days as part of Rokolectiv Festival 2017.