August 1, 2017

The Sacred Spectacle

The Hierophant was less about art and more about show, but unfortunately it did not rise to the name or transcendence of the archetypal figure of The Prophet/Teacher.

— Marina Oprea

June 16, 2017

Leaving Spaceship Critique

Hyper-jumps through the ruins of the future: notes, repetitions and digressions in the margins of the exhibition Return to Spaceship Earth at Salonul de Proiecte.

— Ion Dumitrescu

June 14, 2017

The Jokers’ Idiosyncrasies

An attempt to amusingly apply aesthetics to chaos (no one knows where/how, but every now and then it becomes bafflingly beneficial) via the exhibition Overthinking how to make a tea at Launloc.

— Cosmina Moroșan

May 12, 2017

Testimonies of a Space Shipwreck

Cristian Răduţă’s exhibition Anatomy of a Journey at ElectroPutere is a “remake” similar to those found in Natural Museums presenting post-factum objects that re-establishes our cosmic odyssey.

— Emilian Mărgărit

May 10, 2017

Teeth where fingernails should be

Ross Taylor's project at the Ivan Gallery builds a kind of base materialism - materialism devoid of ontology, without a trace of idealism.

— Raluca Oancea (Nestor)