Metaphor. Protest. Concept. Performing art in Romania and Moldova is a unique publication entirely consisting of interviews with local artists that have worked predominantly in the performative area.

Joanna Warsza’s direction for Public Art Munich 2018 is a commitment to redefining public space and developing commissioned works for a specific audience.

Since his early works, Alex Mirutziu challenges the notion of meaning, representation and language.

On the performance art of El Kazovsky and avant-garde fashion designer Tamás Király, and how to understand 'queer' in pre-1989 practices in Eastern Europe.

The phrase “Formal Encounter is an exhibition of the artist at their most private public moment” closes with a bang the curatorial pseudo-fiction accompanying the most recent exhibition at Nicodim.

An overview of queer manifestations in Czech contemporary art.

Judit Angel's career began in the 1980s at the Art Museum in Arad and continued for an extended period at Műcsarnok / Kunsthalle; she is now the director at tranzit.sk/Bratislava.

At its eighth edition, the experimental film festival BIEFF is being held this year under the umbrella of a strong statement: embracing otherness

Starting February 24th, the entrance to the contemporary art space Tranzit.ro/Iaşi is lit from the inside.

Mămăligă de Varșovia (“Warsaw Bitter Maize Porridge” – on their second issue) does not exist solely on paper, but is the product a socially engaged and culturally active collective.