Critical art from Iași: between artistic hopes and anxieties
On that core formed in the 90s around the Periferic Biennial and the Vector Association on account of a mutual critical practice and attitude.
Diana Ursan (b. 1988) writes about art, mainly contemporary art. She has contributions in Arta magazine, Observator Cultural and in Dear Money, book edited by Salonul de Proiecte and The National Museum of Contemporary Art. She studied at the Art History and Theory Department of the National University of Arts in Bucharest, where she is a Ph.D. candidate with a(n impossible) research focused on the local art scene. At present she works with Ivan Gallery, Bucharest.
On that core formed in the 90s around the Periferic Biennial and the Vector Association on account of a mutual critical practice and attitude.