Metaphor. Protest. Concept. Performing art in Romania and Moldova is a unique publication entirely consisting of interviews with local artists that have worked predominantly in the performative area.

Could new sincerity manifested through performance art be the cure for post-modern ennui? This belief echoes throughout Prague’s art scene and beyond.

We could learn a thing or two from the MeetFactory’s impeccable structure.

The Hierophant was less about art and more about show, but unfortunately it did not rise to the name or transcendence of the archetypal figure of The Prophet/Teacher.

News from Polska #3: The Tickler and the Ticklee reunites some of Poland’s most relevant performance artists right here in Bucharest.

Roman Tolici is less interested in non-figurative forms; he does not wish to show the viewer something unparalleled because he thinks that the world's existing representations still speak out.

I couldn’t think of a better place to satisfy my need for expressive bodies and gushing energies than the National Dance Center.

Hate is a very loose and general term, a feeling so familiar yet so unassumed. We hate to hate, we’d hate to be characterized as hateful, yet this is exactly what we are, and that’s OK.