On Giuvlipen's most recent production, Kali Tras/Black Fear, which stages the memory of the Roma Holocaust.

The phrase “Formal Encounter is an exhibition of the artist at their most private public moment” closes with a bang the curatorial pseudo-fiction accompanying the most recent exhibition at Nicodim.

Late last year, Ivan Gallery opened the exhibition Do the mountains know?, a retrospective of the artists Ion Râmnic and István Mihály, active in Transylvania.

The singular approaches of Sorin Oncu and Raluca Ilaria Demetrescu in the mid-2000s.

A discussion of the play The Sugarless Family [Familia fără zahăr], a civic response to the violent actions of the organisation Coalition for the Family.