December 16, 2019
The art of new sincerity is not an object, but an encounter, a coming together of many minds and visions that is not limited to only one reading, as we see in the case of the performance piece Tun.el
— Marina Oprea
November 13, 2019
The tribune becomes at once a place for action and passive contemplation
— Marina Oprea
October 9, 2019
Can public art truly surpass its status as a mere visitors’ attraction and can it successfully stand up to public scrutiny as well as being judged according to contemporary art criteria?
— Marina Oprea
September 12, 2019
Where teens take a break from the discipline of public school and are "introduced to the local art bubble".
— Marina Oprea
January 9, 2019
Art photographer Juliane Eirich is fully aware of the punctum at play in her work – she is a master at not only capturing reality, but also a certain emotional charge.
— Marina Oprea
October 31, 2018
A compact art exhibition that requires no space, no set-up and no gallery custodians, which can be easily moved from place to place.
— Marina Oprea
September 5, 2018
A much needed change of scenery for The Attic magazine.
— Marina Oprea
May 23, 2018
Metaphor. Protest. Concept. Performing art in Romania and Moldova is a unique publication entirely consisting of interviews with local artists that have worked predominantly in the performative area.
— Marina Oprea
January 4, 2018
Could new sincerity manifested through performance art be the cure for post-modern ennui? This belief echoes throughout Prague’s art scene and beyond.
— Marina Oprea
November 13, 2017
We could learn a thing or two from the MeetFactory’s impeccable structure.
— Marina Oprea