April 2, 2019
One play that has helped pave the way for a different future for European Roma is Roma Armee, directed by Yael Ronen and based on an idea by Simonida and Sandra Selimovic.
— Arman Heljic
March 27, 2019
A history of Roma theatre in Romania.
— Mihaela Drăgan
February 26, 2019
Contemporary institutional debates in Hungary and Romania during the transition period.
— Júliusz Huth
November 22, 2018
To draw a map where no territory has been before: thoughts in tandem on the exhibition Where do we go from here? and the 2018 Berlin Biennial, We don't need another hero!
— Ion Dumitrescu
September 5, 2018
A much needed change of scenery for The Attic magazine.
— Marina Oprea
August 8, 2018
An interview with Cuba's most renowned contemporary female artist during the # 00 Bienal of Habana.
— Jean-Lorin Sterian
July 12, 2018
About an original ODD initiative, curated by Cristina Bogdan and Adelina Luft: Who Cares?, an intercultural exchange between Bucharest and Yogyakarta, Indonesia.
— Raluca Oancea
June 3, 2018
Pre ‘89 Eastern Europe, as hard as it is to speak about it as an entity, concedes freaky, unwilling-to-behave political and apolitical artistic expressions in the show Left Performance Histories.
— Jasmina Al-Qaisi
May 15, 2018
Joanna Warsza’s direction for Public Art Munich 2018 is a commitment to redefining public space and developing commissioned works for a specific audience.
— Àngels Miralda