October 22, 2015
Unaltered by time and apparently culturally unanchored, Decebal Scriba’s work ignores the political dimensions of man, in favor of an in depth and spatial search of experiences.
— Rareș Grozea
October 20, 2015
Rising from the post-industrial aesthetic of Bucharest and reaching beyond the post-communist artistic expressions, Suprainfinit gallery makes its entry as one of the new cool kids in town.
— Gizella Popescu
October 14, 2015
H.arta Group makes an inside analysis on the complex event Art Encounters.
— H.arta
October 12, 2015
Veda Popovici’s work on display at Atelier 35 uses the tool of re-historicisation – or re-narration – of art history as a starting point for a revolutionary feminist discourse.
— Richard Pettifer
September 21, 2015
The title of the current exhibition by Larisa Crunţeanu and Sonja Hornung suggests an underlying feminist counter-narrative, a pseudo sci-fi speculative invention perhaps.
— Alison Hugill
September 13, 2015
A retrospective of one of the foremost representatives of the 80s painters generation, Petru Lucaci, is on show at the Constanța Museum of Art.
— Yigru Zeltil
September 1, 2015
For 22 days, starting with the 28th of August, Musette Kube hosts 100 Chinese beckoning cats that asynchronously swing their left paws.
— Miron Ghiu
August 26, 2015
In a curatorial aim to exhibit and understand Romanian art today, Olga Ștefan assembles the local artistic production and discovers that Romanians have a hard time finding happiness.
— Roxana Sima
August 5, 2015
Dan Mihălțianu’s show at NR Projects Berlin is his latest display of the long-term installation of a black indoor pool, which has known numerous renditions in various contexts.
— Cristina Bogdan
July 16, 2015
The most recent project by Romanian artist Cătălin Petrişor, is the crown jewl of all his projects.
— Alina Petrescu