Monica Enache put forward at the end of 2016 an ample exhibition presenting artworks made between 1948-1965, during Dej's dictatorship.

Various private initiatives to historicize gay culture seem politically more and more relevant in the process of turning the community’s experiences from memory to history.

"Situations and Concepts" at Salonul de Proiecte is the continuation of a more ample process of historical recovery of Romanian conceptual art.

In the London East End, in the intertwining of a literary tradition and an overlooked artistic practice, the fascination and dread we share for the camera is gracefully explored.

Beyond narrativity, there are the scintillations, the phosphenes, a discotheque of images of non-affectivity - evoked in a certain ethical line in the Telling images/ Imagining stories exhibition.

In the MNAC show, Irina Botea Bucan puts together video narratives inspired by histories of local interest with mythical or heroic potential.

Ecaterina Vrana's art is, in all rights, part of the Japanese aesthetics of mono-no-aware where beauty envelops the sadness of reality.

With his art show at Calina Gallery, Sorin Oncu sets out to tackle the problems that Central and Eastern Europe still face.

A common universal story of oppression and shame is weaved into Laughter and Forgetting, the show curated by Olga Ștefan at MeetFactory in Prague.

The art show, part of Future Museum, is based on the idea of utopia or what remains after utopia.