(R)evolve(R)
"Bucureşti Sud" questions this particular area of the capital from the perspective of the industrial and post-industrial spaces that can be reconverted into artistic spaces or spots for hosting events
"Bucureşti Sud" questions this particular area of the capital from the perspective of the industrial and post-industrial spaces that can be reconverted into artistic spaces or spots for hosting events
Bucharest Art Week featured multiple voices, but in the tense environment of Romania's capital, was anyone listening?
Unaltered by time and apparently culturally unanchored, Decebal Scriba’s work ignores the political dimensions of man, in favor of an in depth and spatial search of experiences.
Rising from the post-industrial aesthetic of Bucharest and reaching beyond the post-communist artistic expressions, Suprainfinit gallery makes its entry as one of the new cool kids in town.
H.arta Group makes an inside analysis on the complex event Art Encounters.
Veda Popovici’s work on display at Atelier 35 uses the tool of re-historicisation – or re-narration – of art history as a starting point for a revolutionary feminist discourse.
The title of the current exhibition by Larisa Crunţeanu and Sonja Hornung suggests an underlying feminist counter-narrative, a pseudo sci-fi speculative invention perhaps.
A retrospective of one of the foremost representatives of the 80s painters generation, Petru Lucaci, is on show at the Constanța Museum of Art.
For 22 days, starting with the 28th of August, Musette Kube hosts 100 Chinese beckoning cats that asynchronously swing their left paws.
In a curatorial aim to exhibit and understand Romanian art today, Olga Ștefan assembles the local artistic production and discovers that Romanians have a hard time finding happiness.