About the art show "Equal. Art and Feminism in Modern Romania" and the attack on the spaces of canonical art.

When you search Google for "inner peace", the first result is goodreads, and the first of the 393 quotes tagged with inner peace is: “Nobody can hurt me without my permission.” ― Mahatma Gandhi

Andreea-Lorena Buțincu’s first solo show, “Skinned” is an ambiguous success: it seems to be asking the viewer for a bivalent reception, with the works themselves in an in-between state.

Stylistically, as well as through his narrative structures, Ghenie wins a bourgeois western audience by offering an illusory therapy for its post-modern neurosis.

Adrian Bojenoiu talks to Iulia Nistor about the possible functions of painting and the median space between representation and knowledge.

"Bucureşti Sud" questions this particular area of the capital from the perspective of the industrial and post-industrial spaces that can be reconverted into artistic spaces or spots for hosting events

Bucharest Art Week featured multiple voices, but in the tense environment of Romania's capital, was anyone listening?

Unaltered by time and apparently culturally unanchored, Decebal Scriba’s work ignores the political dimensions of man, in favor of an in depth and spatial search of experiences.

Rising from the post-industrial aesthetic of Bucharest and reaching beyond the post-communist artistic expressions, Suprainfinit gallery makes its entry as one of the new cool kids in town.

H.arta Group makes an inside analysis on the complex event Art Encounters.