March 3, 2016
Little liner drawings and maths homework, shopping lists when you are shopping within yourself. Instead of a skull dramatically planted in the middle of the room, one wooden plank stands 154 cm high.
— Simona Dumitriu
March 1, 2016
Mădălina Dan for SODA Final Presentations.
— Àngels Miralda
February 24, 2016
About the art show "Equal. Art and Feminism in Modern Romania" and the attack on the spaces of canonical art.
— Veda Popovici
February 15, 2016
When you search Google for "inner peace", the first result is goodreads, and the first of the 393 quotes tagged with inner peace is: “Nobody can hurt me without my permission.” ― Mahatma Gandhi
— Simona Dumitriu
January 26, 2016
Andreea-Lorena Buțincu’s first solo show, “Skinned” is an ambiguous success: it seems to be asking the viewer for a bivalent reception, with the works themselves in an in-between state.
— Yigru Zeltil
December 29, 2015
Stylistically, as well as through his narrative structures, Ghenie wins a bourgeois western audience by offering an illusory therapy for its post-modern neurosis.
— Lucia Popa
December 8, 2015
Adrian Bojenoiu talks to Iulia Nistor about the possible functions of painting and the median space between representation and knowledge.
— Adrian Bojenoiu
November 26, 2015
"Bucureşti Sud" questions this particular area of the capital from the perspective of the industrial and post-industrial spaces that can be reconverted into artistic spaces or spots for hosting events
— Miron Ghiu
November 17, 2015
Bucharest Art Week featured multiple voices, but in the tense environment of Romania's capital, was anyone listening?
— Will Gresson
October 22, 2015
Unaltered by time and apparently culturally unanchored, Decebal Scriba’s work ignores the political dimensions of man, in favor of an in depth and spatial search of experiences.
— Rareș Grozea