Revolutionary Gear
Veda Popovici’s work on display at Atelier 35 uses the tool of re-historicisation – or re-narration – of art history as a starting point for a revolutionary feminist discourse.
Veda Popovici’s work on display at Atelier 35 uses the tool of re-historicisation – or re-narration – of art history as a starting point for a revolutionary feminist discourse.
The title of the current exhibition by Larisa Crunţeanu and Sonja Hornung suggests an underlying feminist counter-narrative, a pseudo sci-fi speculative invention perhaps.
A retrospective of one of the foremost representatives of the 80s painters generation, Petru Lucaci, is on show at the Constanța Museum of Art.
For 22 days, starting with the 28th of August, Musette Kube hosts 100 Chinese beckoning cats that asynchronously swing their left paws.
In a curatorial aim to exhibit and understand Romanian art today, Olga Ștefan assembles the local artistic production and discovers that Romanians have a hard time finding happiness.
Dan Mihălțianu’s show at NR Projects Berlin is his latest display of the long-term installation of a black indoor pool, which has known numerous renditions in various contexts.
The most recent project by Romanian artist Cătălin Petrişor, is the crown jewl of all his projects.
This July there is a continuous reconfiguration of possible relationships between art, culture and language in the space of Atelier 35.
"And the diamond princess went to a cave that was full of diamonds."
About an unusual curatorial proposal: nine young professional artists, all studying painting, who exhibit alongside their mentor, Ioan Sbârciu.