Dan Mihălțianu’s show at NR Projects Berlin is his latest display of the long-term installation of a black indoor pool, which has known numerous renditions in various contexts.

The most recent project by Romanian artist Cătălin Petrişor, is the crown jewl of all his projects.

This July there is a continuous reconfiguration of possible relationships between art, culture and language in the space of Atelier 35.

"And the diamond princess went to a cave that was full of diamonds."

About an unusual curatorial proposal: nine young professional artists, all studying painting, who exhibit alongside their mentor, Ioan Sbârciu.

That’s exactly how you feel when you enter the art show on the 3rd floor of the Museum of Contemporary Art in Bucharest. From every corner, every wall, someone is talking to you, is gesturing to you.

Frequently invited to draw on the walls of art institutes all over the world, Perjovschi seems to have doubled the ironic international media agenda by rapidly commenting on any news.

What does it mean when artistic practice becomes an act of adequacy in relation to a given topic and time interval?

Anton Roland Laub’s recent show at Atelier 35 makes a blurred statement about the architectural absurdities and similarities between the two capital cities Berlin and Bucharest.

When a show about the historical Romanian avant-garde becomes a public scandal - for all the wrong reasons.