The temporary exhibition “All Our Todays” is a tour de force.

Ioana Nemeș transformed her journal into a calibrated, almost scientific instrument.

Ioana Nemeș’s ironic, even satirical discourse is socially engaged, critical of religious rituals and dogmas, bigots, and homophobes.

A performance undergoing a continuous evolution.

Installation, as a medium of expression, is not a new form of sculpture, nor even an exclusive continuation of it, but a genre and a continuation of all the others.

This gesture of “mapping friendship” recovers works, but also relationships, and invites viewers to reflect on how personal and political histories intertwine.

A historiographical metafiction, a politically engaged fairy tale, (literally) a trip.

These sculptures carry what might be called a totemic quality in that they seem to inhabit the space rather than merely occupy it.