In the "Avoiding memories" exhibition, each work becomes a catharsis, a medium in which trauma is art on display and pain is translated into visual forms that enable the process of emotional release.
The Paradoxical Nature of Hope and the End that has Already Happened.
Banat artist Renée Renard tells stories in her exhibitions, visualizing intersections of past and present.
Two worlds collide and, in their synergy, result in this magnificent exhibition.
The people in Virgilius Moldovan's work are shaped and depicted as they are visible in the artist's eye. His models usually come to the exhibition openings and pose in front of their "superego".
The exhibition The Romanian 1984 showcases, on the one hand, a survey of social and urban planning parameters, and on the other hand Horia Marinescu's confrontation with his own past.
Let us consider the need of aesthetic determination that guides us into the intimate universes created by four artists linked by the same reclusive, displacive quest towards an immutable luminescence.
Two films about Daniel Spoerri.
With Geta Brătescu's retrospective at the Hamburger Kunsthalle, artworks by the Grande Dame of Romanian conceptual art are assembled in one exhibition space for the first time.
New model for an art-business partnership, proposed by a group of painters from Timișoara.