An ideologically assumed perspective of the protest movements and of our relationship to recent history. An interview with David Schwartz.

Bucharest Art Week featured multiple voices, but in the tense environment of Romania's capital, was anyone listening?

In Romania’s 2000s, poor fusions and assimilation between sources, tendencies, ideas and incompatible formulas have developed the ability to function as a hybrid.

This text discusses the Romanian music scene, focusing on its extreme manifestations within the experimental trend, be it acoustic, electroacoustic or purely electronica.

Queer time, especially in the (non)spaces of theater and performance, or in queer spaces such as clubs and the BDSM scene, has the potential to generate a new way of exchanging knowledge.

“The queen of the arts” entered the 21st century unchanged, with its same old obsolete poetics, its dusty narratives and a sick addiction to the past.

Berlin is home to to an experimental cutting edge arts scene, and is an important international stage for the emergence of new practices. Where does painting fit into this terrain?

H.arta Group makes an inside analysis on the complex event Art Encounters.

About an “observational active art" project which questions the woman's right over her own body.

When a show about the historical Romanian avant-garde becomes a public scandal - for all the wrong reasons.