A text by Alina Popa, speaking about speaking as no one and subjectivity's extinction as conceptual strategies, deviating from the "Xenofeminist Manifesto" by Laboria Cuboniks. No one speaks.

The Xenofeminist Manifesto by Laboria Cuboniks.

An interview with dance theoretician André Lepecki following his workshop and lecture in Bucharest, in May 2015.

The so-called “digital museum” in the town of Pecica opened on October 29th 2013 and it is, as far as functionality goes, an ultramodern information and visiting center for a nearby buffalo farm.

Facebook as an alternative exhibition space or an alternative way of thinking in contemporary Romanian art.

An ideologically assumed perspective of the protest movements and of our relationship to recent history. An interview with David Schwartz.

Bucharest Art Week featured multiple voices, but in the tense environment of Romania's capital, was anyone listening?

In Romania’s 2000s, poor fusions and assimilation between sources, tendencies, ideas and incompatible formulas have developed the ability to function as a hybrid.

This text discusses the Romanian music scene, focusing on its extreme manifestations within the experimental trend, be it acoustic, electroacoustic or purely electronica.