Ștefan Radu Crețu’s art is meant to approach the artistic object and experimentation on the living element. It has no smell, it is only equipped with ON/OFF buttons.

If you were to make art you would have to pretend you are not referencing Duchamp while you are in fact referencing the fact that you are not referencing Duchamp.

Questions for Mica Gherghescu, art historian based in Paris.

On the brave, clean and minimal presentation - matching that of any hip gallery in NY, Paris, London or Berlin - of the show at Plan B gallery.

During the second half of January, the Center for Visual Arts hosted the second edition of The National Painting Salon awards exhibition under the patronage of the Romanian Artists' Union.

Mircea Cantor’s most recent solo exhibition, occupying two floors in the new Dvir gallery space, looks into Israeli identity brands.

About Mădălina Zaharia's show in Letiția Călin's overcrowded South London gallery flat.

An interview with Nicolea Comănescu about his personal show I can see no revolution at Petra Nostheide-Eÿcke gallery in Düsseldorf.

Gabriel Stoian at Lateral Art Space in Cluj.

Viviana Drugă’s work functions at the intersection of art and magic, and is fully subsumed to the logic of performance, in regard to the artistic persona and the art produced.