An exhibition as a better articulated and more visible product.

A large-scale curatorial event.

This survey gathers the personal reflections of the biennale’s mediators on works that sparked lively dialogues and deep interactions with the audience.

A metaphor in art. On the “There were times I wanted to change the world” exhibition.

On Mircea Roman's angelic beings.

An interview with Sabina Suru.

The temporary exhibition “All Our Todays” is a tour de force.

Ioana Nemeș transformed her journal into a calibrated, almost scientific instrument.

Ioana Nemeș’s ironic, even satirical discourse is socially engaged, critical of religious rituals and dogmas, bigots, and homophobes.

Installation, as a medium of expression, is not a new form of sculpture, nor even an exclusive continuation of it, but a genre and a continuation of all the others.