"All the Suns" is a monumental gesture of accumulating collective memory through the sun, a poetic, even utopian, approach.

The Bureau of Melodramatic Research is the institutional parasite par excellence.

The people in Virgilius Moldovan's work are shaped and depicted as they are visible in the artist's eye. His models usually come to the exhibition openings and pose in front of their "superego".

The exhibition leaves a fair room for the opportunity to revisit a space of mind which is rarely accessed, that of childhood.

This status of "in betweenness" permeates through every single piece of the exhibition, and such uncertainty gives rise to an eerie feeling, bordering on fear but not quite succumbing to it.

From communist gray to the intense green of the leaves on an IKEA bedsheet.

The discourse around dwelling insists on the fact that we are what we are according to our buildings and landscapes, and also that there is a natural extension between our body and the world.

"Me, Myself and Mycelium" proposes a space articulated from visual elements, techniques, and materialities which overlap in a dialogue responding to the association between organic and synthetic form.

The female characters in Diana’s works have a mythological aspect.

In the artworks of Ioana Stanca and Orsolya Lia Vető, we can clearly observe the characteristics and epistemology of water.