April 12, 2023
About intimacy and privacy.
— Ada Muntean
April 6, 2023
A short exhibition walkthrough.
— Mihály András Németh
March 8, 2023
A deep dive into Nicolae Comănescu's “SCRAP METAL KABOOM ORCHESTRA”.
— Lina Țărmure
February 3, 2023
A custodian’s notes on the Exhibition Of Pleasure: The Learnings and Strange Fortunes of Atletica Ideal, by Apparatus 22.
— Maria Persu
January 24, 2023
Presented at Kunsthalle Bega starting September 2nd 2022, Ioana Sisea's solo exhibition consists of two parts: an art installation and a short documentary film.
— Ioana Gabriela Cherciu
January 12, 2023
On Victor Man's solo show in Turin, Italy.
— Melania Andronic
December 21, 2022
On vulnerability and power.
— Ada Muntean
December 13, 2022
What "home" might mean, not just for the Ukrainians, but for all of us.
— Britton Buckner
December 9, 2022
On SABA’s The Resilience of Capital at ElectroPutere Gallery.
— Maximilian Lehner
December 6, 2022
Presenting three different perspectives on drawing, the "Time Lines" project tells the stories of three artists for whom the current way of practicing their art is the result of long searches.
— Gabriela Pițurlea