This July there is a continuous reconfiguration of possible relationships between art, culture and language in the space of Atelier 35.

"And the diamond princess went to a cave that was full of diamonds."

About an unusual curatorial proposal: nine young professional artists, all studying painting, who exhibit alongside their mentor, Ioan Sbârciu.

That’s exactly how you feel when you enter the art show on the 3rd floor of the Museum of Contemporary Art in Bucharest. From every corner, every wall, someone is talking to you, is gesturing to you.

Your only instrument is the city. Your calmness and patience set the tone of the group you lead, the value of the route you set.

Frequently invited to draw on the walls of art institutes all over the world, Perjovschi seems to have doubled the ironic international media agenda by rapidly commenting on any news.

What does it mean when artistic practice becomes an act of adequacy in relation to a given topic and time interval?

Anton Roland Laub’s recent show at Atelier 35 makes a blurred statement about the architectural absurdities and similarities between the two capital cities Berlin and Bucharest.

When a show about the historical Romanian avant-garde becomes a public scandal - for all the wrong reasons.

The proposal extended to this year’s participants at the Venice Biennial was to tackle, once more, the Western canon – aesthetically, socially, politically or commercially.