Review of the Art Encounters Biennale 2019. Can we rethink our own limit in giving too much importance to the display of a biennale?

Minimalism and safe aesthetics at the most important contemporary art fair in Vienna.

Can public art truly surpass its status as a mere visitors’ attraction and can it successfully stand up to public scrutiny as well as being judged according to contemporary art criteria?

Notes on Telciu Summer School, a decolonial project in the Romanian countryside.

The nomadic traditions of the Hognon family, who travel in Southwestern France staging plays that explore their Tsigane identity.

Interrogations on life, death, freedom and value in artistic creation. An analysis of the process of putting together a cultural heritage.

Theatre, as the “newspaper of the poor,” and dance, as an expressive form often prone to exoticization, became vehicles of performance for the Spanish Gitano identity.

A dreamy look at Janek Simon’s Retrospective at the U-jazdowski Castle Centre for Contemporary Art in Warsaw.

The way Roma are represented exposes the conjunction of ideology, power, and aesthetic fundamentals in Hungarian theatre.

An interview with cultural critic Boris Buden conducted by Cristina Bogdan and Piotr Sikora.