June 22, 2022
The discourse around dwelling insists on the fact that we are what we are according to our buildings and landscapes, and also that there is a natural extension between our body and the world.
— Raluca Oancea
June 16, 2022
"Me, Myself and Mycelium" proposes a space articulated from visual elements, techniques, and materialities which overlap in a dialogue responding to the association between organic and synthetic form.
— Mălina Ionescu
June 2, 2022
The female characters in Diana’s works have a mythological aspect.
— Ioana Gabriela Cherciu
May 19, 2022
In the artworks of Ioana Stanca and Orsolya Lia Vető, we can clearly observe the characteristics and epistemology of water.
— Éda Meggyesházi
May 6, 2022
The exhibition emphasizes drawing as a central tool – visually and conceptually – for the construction and deconstruction of particular universes, marked by uncertainty and anxiety.
— Ada Muntean
April 14, 2022
The retrospective exhibition recently opened at MNAC casts a spotlight on Ion Grigorescu, one of the most interesting and provocative artists of the last five decades in Romanian art.
— Ileana Pintilie
April 7, 2022
Mentoring und Aktion was an education and creation project inspired by Joseph Beuys
— Ada Muntean
March 16, 2022
A way of viewing the art show “Hack my Cage”.
— Tea Vindt
February 24, 2022
An intimate route through a series of gestual videos on The White Night of Galleries
— Alexandra Ilina
February 10, 2022
The exhibition "Projections for Future History" tracks the disappearance of cultural infrastructure in Romania post-revolution, and speculates on the emptiness of its future.
— Richard Pettifer