February 18, 2020
A curatorial discourse that challenges the way in which the history of postwar Romanian art is written and perceived with already established notions.
— Simona Vilău
February 5, 2020
ki is among the first projects to reveal the hybrid territory that is nowadays shared by the visual arts, sound art, and the performing arts.
— Raluca Oancea
February 3, 2020
Let us consider the need of aesthetic determination that guides us into the intimate universes created by four artists linked by the same reclusive, displacive quest towards an immutable luminescence.
— Denise Parizek
January 14, 2020
How does one go about performing an earthquake?
— Marina Oprea
December 27, 2019
"Heavyweight" is not only an extraordinarily complex structure that generates countless associations, it also inspires action.
— Teodor Ajder
December 16, 2019
The art of new sincerity is not an object, but an encounter, a coming together of many minds and visions that is not limited to only one reading, as we see in the case of the performance piece Tun.el
— Marina Oprea
December 9, 2019
The most recent exhibition showcased at Salonul de Proiecte, designed by Mircea Nicolae, reiterates an institutional and methodological critique through its title, The Absent Museum
— Raluca Oancea
November 24, 2019
The starting point of the "Spring (winter, summer, autumn) of the people" exhibition is a major display of historical painting – fragments from the Transylvanian Panorama, less known in Romania
— Teodor Ajder
November 19, 2019
The Paintbrush Factory under gentrification: a time of reinvention through fostering new collaborations?
— Raluca Țurcanașu
November 13, 2019
The tribune becomes at once a place for action and passive contemplation
— Marina Oprea