A dreamy look at Janek Simon’s Retrospective at the U-jazdowski Castle Centre for Contemporary Art in Warsaw.

The opening exhibition at Kunsthalle Bega under tight scrutiny.

Art photographer Juliane Eirich is fully aware of the punctum at play in her work – she is a master at not only capturing reality, but also a certain emotional charge.

To draw a map where no territory has been before: thoughts in tandem on the exhibition Where do we go from here? and the 2018 Berlin Biennial, We don't need another hero!

A compact art exhibition that requires no space, no set-up and no gallery custodians, which can be easily moved from place to place.

Franz Cerami wishes to mix and merge the narratives rooted in intimate life, while also examining the metamorphosis of meaning from the private to the digital space.

From Benjamin to Deleuze and next year to Agamben: the Venice Biennial and its political positioning.

The extra mile is the new exhibition of Galeria Nicodim, although in this case the works of Cristian Răduţă do not follow the formal logic of the ex-position.

Pre ‘89 Eastern Europe, as hard as it is to speak about it as an entity, concedes freaky, unwilling-to-behave political and apolitical artistic expressions in the show Left Performance Histories.

Joanna Warsza’s direction for Public Art Munich 2018 is a commitment to redefining public space and developing commissioned works for a specific audience.