March 19, 2018
Starting February 24th, the entrance to the contemporary art space Tranzit.ro/Iaşi is lit from the inside.
— Ovidiu Gherasim-Proca
February 20, 2018
Places where Katja Lee Eliad's work becomes fragile.
— Ionuț Cioană
December 6, 2017
The exhibition at Victoria Art Center seeks to transforme the Danube area into a deterritorialized (but by no means depoliticized) field of experience and reflection.
— Cristian Iftode
November 25, 2017
Nona Inescu’s solo show at EXILE gallery in Berlin is not her first attempt at communing with the inhuman.
— Rareș Grozea
November 23, 2017
An Interview with Kaja Renkas, Polish artist and designer showing at UNAgaleria in Bucharest.
— Georgiana Cojocaru
November 14, 2017
Our Czech resident writes about the contemporary art biennial in Timișoara.
— Martin Vrba
September 5, 2017
An itinerant exhibition about the houses of Romanian migrant workers.
— Olaf Bartels
August 1, 2017
The Hierophant was less about art and more about show, but unfortunately it did not rise to the name or transcendence of the archetypal figure of The Prophet/Teacher.
— Marina Oprea
June 20, 2017
This year, NSK State puts forward a different kind of approach to the issue of immigrants at the Venice Biennale pavilion as well as the alternative pavilion in Vienna.
— Nicoleta Papp
June 16, 2017
Hyper-jumps through the ruins of the future: notes, repetitions and digressions in the margins of the exhibition Return to Spaceship Earth at Salonul de Proiecte.
— Ion Dumitrescu