March 11, 2016
"I am the invisible man" at MNAC sets out to carry on the human/non-human tension which was at stake in the first part of the project “The white dot and the black cube”.
— Georgiana Cojocaru
March 3, 2016
Little liner drawings and maths homework, shopping lists when you are shopping within yourself. Instead of a skull dramatically planted in the middle of the room, one wooden plank stands 154 cm high.
— Simona Dumitriu
March 1, 2016
Mădălina Dan for SODA Final Presentations.
— Àngels Miralda
February 24, 2016
About the art show "Equal. Art and Feminism in Modern Romania" and the attack on the spaces of canonical art.
— Veda Popovici
February 15, 2016
When you search Google for "inner peace", the first result is goodreads, and the first of the 393 quotes tagged with inner peace is: “Nobody can hurt me without my permission.” ― Mahatma Gandhi
— Simona Dumitriu
January 26, 2016
Andreea-Lorena Buțincu’s first solo show, “Skinned” is an ambiguous success: it seems to be asking the viewer for a bivalent reception, with the works themselves in an in-between state.
— Yigru Zeltil
December 29, 2015
Stylistically, as well as through his narrative structures, Ghenie wins a bourgeois western audience by offering an illusory therapy for its post-modern neurosis.
— Lucia Popa
December 8, 2015
Adrian Bojenoiu talks to Iulia Nistor about the possible functions of painting and the median space between representation and knowledge.
— Adrian Bojenoiu
November 26, 2015
"Bucureşti Sud" questions this particular area of the capital from the perspective of the industrial and post-industrial spaces that can be reconverted into artistic spaces or spots for hosting events
— Miron Ghiu
November 17, 2015
Bucharest Art Week featured multiple voices, but in the tense environment of Romania's capital, was anyone listening?
— Will Gresson