June 3, 2018
Pre ‘89 Eastern Europe, as hard as it is to speak about it as an entity, concedes freaky, unwilling-to-behave political and apolitical artistic expressions in the show Left Performance Histories.
— Jasmina Al-Qaisi
May 23, 2018
Metaphor. Protest. Concept. Performing art in Romania and Moldova is a unique publication entirely consisting of interviews with local artists that have worked predominantly in the performative area.
— Marina Oprea
May 15, 2018
Joanna Warsza’s direction for Public Art Munich 2018 is a commitment to redefining public space and developing commissioned works for a specific audience.
— Àngels Miralda
April 24, 2018
Since his early works, Alex Mirutziu challenges the notion of meaning, representation and language.
— Flóra Gadó
April 16, 2018
On the performance art of El Kazovsky and avant-garde fashion designer Tamás Király, and how to understand 'queer' in pre-1989 practices in Eastern Europe.
— Gyula Muskovics
April 10, 2018
The phrase “Formal Encounter is an exhibition of the artist at their most private public moment” closes with a bang the curatorial pseudo-fiction accompanying the most recent exhibition at Nicodim.
— Valentina Iancu
April 4, 2018
An overview of queer manifestations in Czech contemporary art.
— Ladislav Zikmund-Lender
March 29, 2018
Judit Angel's career began in the 1980s at the Art Museum in Arad and continued for an extended period at Műcsarnok / Kunsthalle; she is now the director at tranzit.sk/Bratislava.
— Ada Muntean
March 22, 2018
At its eighth edition, the experimental film festival BIEFF is being held this year under the umbrella of a strong statement: embracing otherness
— Anca Bucur
March 19, 2018
Starting February 24th, the entrance to the contemporary art space Tranzit.ro/Iaşi is lit from the inside.
— Ovidiu Gherasim-Proca