December 29, 2017
The singular approaches of Sorin Oncu and Raluca Ilaria Demetrescu in the mid-2000s.
— Valentina Iancu
December 19, 2017
If performance art belongs to the unmarked, the absent, then performative writing must take on the role of erasing all that has already been marked and expropriate all that has already been possessed.
— Iulia Militaru
December 9, 2017
Gala by Jérôme Bel is about the non-hierarchic, mobilizing and emancipating access to the stage which is normally confiscated by legitimized virtuosity.
— Mihaela Michailov
December 6, 2017
The exhibition at Victoria Art Center seeks to transforme the Danube area into a deterritorialized (but by no means depoliticized) field of experience and reflection.
— Cristian Iftode
December 4, 2017
The workshop organized by the magazine is an invitation to young people from the Republic of Moldova who would like to try their hand at art criticism.
— Redacția Revista ARTA
November 25, 2017
Nona Inescu’s solo show at EXILE gallery in Berlin is not her first attempt at communing with the inhuman.
— Rareș Grozea
November 23, 2017
An Interview with Kaja Renkas, Polish artist and designer showing at UNAgaleria in Bucharest.
— Georgiana Cojocaru
November 22, 2017
Prague has always had quite the buoyant experimental scene, with several people running DIY shows and even a gallery dedicated to sound-based media.
— Andra Nikolayi
November 20, 2017
On the strategies and themes in the works of artistic duo Anca Benera and Arnold Estefán.
— Flóra Gadó
November 14, 2017
Our Czech resident writes about the contemporary art biennial in Timișoara.
— Martin Vrba