“Tell them about me”
An interview with the actress Mihaela Drăgan.
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Featured
The Ecologies of Care and Caring – A Mediation Program Between all Forms of Life
A series of exhibitions structured on the distinction between useful, poisonous, aphrodisiac and ritual plants in three galleries in Bucharest.
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Featured
KIMAERA – A Biotechnological Organism Immersed in the Internet of Things (IoT)
This collaborative project combined the phenomenological interpretation of the world as a network of connections.
Collaborations
Articles
Munți de căcat. Tales from the worst part of Europe
A critical report about the art scenes in Bucharest and Cluj from our resident from Szum Magazyn.
The Ecology of the Mid
An interview with Sebastian Big about the meaning of "an organic tactics of a bio-bourgeois poetics."
Exploring the myth of Cluj and other stories (II)
For his first visit to Cluj, Artportal.hu editor-in-chief Gergely Nagy sets out on a Gonzo style exploration of the local art world.
How I learned to be contemporary #2
Ada Muntean discovers the contemporary art scene in The Czech Republic during a two week residency, part of the project East Art Mags.
The Space of Photographs: Theory, Memory, Time
The exhibition at Anca Poterasu Gallery unfolds Aurora Kiràly’s activity, which integrates artistic practices with the theoretical, curatorial and educational.
Making art, not politics
An interview with MNAC director Călin Dan by our critic in residency from Poland.
Testimonies of a Space Shipwreck
Cristian Răduţă’s exhibition Anatomy of a Journey at ElectroPutere is a “remake” similar to those found in Natural Museums presenting post-factum objects that re-establishes our cosmic odyssey.
Teeth where fingernails should be
Ross Taylor's project at the Ivan Gallery builds a kind of base materialism - materialism devoid of ontology, without a trace of idealism.
Exploring the myth of Cluj and other stories (I)
For his first visit to Cluj, Artportal.hu editor-in-chief Gergely Nagy sets out on a Gonzo style exploration of the local art world.