These sculptures carry what might be called a totemic quality in that they seem to inhabit the space rather than merely occupy it.

As in a true 17th-century painting, in Bercea’s works it is life itself that we deal with—not life in the abstract, vitalist sense, but biographical, everyday life as we all know it.

What forms do inner transformation and healing strategies take today, within art and culture?

Two bodies of water with distinct histories, but interconnected by the flows of memory, ecology and social change.

The exhibition was set between the two major focal points of current affairs – the increasingly clear ecological threats and the resurgence of armed conflicts.

The roots of this project start in Valea Jiului and are interwoven with memories of rituals and landscapes that marked the artist’s childhood, a native of Petrosani.

Last autumn, Suprainfinit Gallery launched a broader series addressing the ideas of ruin and, by extension, reconstruction and preservation.

The paintings now on display trace an arc across time and reveal a Gili made up of several artists, all striving to conquer, piece by piece, a new pictorial territory.

In the "Avoiding memories" exhibition, each work becomes a catharsis, a medium in which trauma is art on display and pain is translated into visual forms that enable the process of emotional release.

Build a common situation with no future: Atelier 35 Bucharest.