Michele Bressan, Lea Rasovszky, and Larisa Sitar in the exhibition "Bruiaj" at the Art Encounters Foundation in Timișoara.

This imperfect present that we all experience demonstrates that human adaptability in extreme conditions contributes to a reinvention and a progress that is not hindered by our perishable condition.

…and why don’t we take them when we are awake?

What is most significant for Andreea and Mălina is the unique moment when forms of both past and present overlap and generate a map of common experiences which have gone unnoticed.

In recent years, the art-technology duo has become so commonplace that its mere display as a novelty is no longer appealing, not even in the Romanian context which seems to always drag behind.

On an infinitely smaller scale, history was repeating itself.

A critical view on the exhibition Alzheimer and working with memory.

A curatorial discourse that challenges the way in which the history of postwar Romanian art is written and perceived with already established notions.

ki is among the first projects to reveal the hybrid territory that is nowadays shared by the visual arts, sound art, and the performing arts.

Let us consider the need of aesthetic determination that guides us into the intimate universes created by four artists linked by the same reclusive, displacive quest towards an immutable luminescence.