April 1, 2020
In recent years, the art-technology duo has become so commonplace that its mere display as a novelty is no longer appealing, not even in the Romanian context which seems to always drag behind.
— Marina Paladi
March 25, 2020
On an infinitely smaller scale, history was repeating itself.
— Ioana Terheș
March 2, 2020
A critical view on the exhibition Alzheimer and working with memory.
— Ștefan Simion
February 18, 2020
A curatorial discourse that challenges the way in which the history of postwar Romanian art is written and perceived with already established notions.
— Simona Vilău
February 5, 2020
ki is among the first projects to reveal the hybrid territory that is nowadays shared by the visual arts, sound art, and the performing arts.
— Raluca Oancea
February 3, 2020
Let us consider the need of aesthetic determination that guides us into the intimate universes created by four artists linked by the same reclusive, displacive quest towards an immutable luminescence.
— Denise Parizek
January 14, 2020
How does one go about performing an earthquake?
— Marina Oprea
December 27, 2019
"Heavyweight" is not only an extraordinarily complex structure that generates countless associations, it also inspires action.
— Teodor Ajder
December 16, 2019
The art of new sincerity is not an object, but an encounter, a coming together of many minds and visions that is not limited to only one reading, as we see in the case of the performance piece Tun.el
— Marina Oprea
December 9, 2019
The most recent exhibition showcased at Salonul de Proiecte, designed by Mircea Nicolae, reiterates an institutional and methodological critique through its title, The Absent Museum
— Raluca Oancea