September 13, 2022
The people in Virgilius Moldovan's work are shaped and depicted as they are visible in the artist's eye. His models usually come to the exhibition openings and pose in front of their "superego".
— Denise Parizek
September 6, 2022
Alexandra Ivanciu and Jolanta Nowaczyk joined their artistic forces to engage with their own means in the global fight to increase women's access to reproductive and contraceptive rights.
— Valentina Iancu
August 18, 2022
A talk between Michele Bressan, Ruxandra Demetrescu and Diana Marincu.
— Diana Marincu
August 11, 2022
The exhibition leaves a fair room for the opportunity to revisit a space of mind which is rarely accessed, that of childhood.
— Călina Coman
August 3, 2022
Corina Apostol is a curator and art historian who has been the director of the Tallinn Art Hall since 2019.
— Bogdan Bălan
July 20, 2022
This status of "in betweenness" permeates through every single piece of the exhibition, and such uncertainty gives rise to an eerie feeling, bordering on fear but not quite succumbing to it.
— Tea Vindt
July 11, 2022
From communist gray to the intense green of the leaves on an IKEA bedsheet.
— Raluca Oancea
July 6, 2022
A broad discussion on the local artist-run spaces with Dan Perjovschi and Mălina Ionescu.
— Mălina Ionescu
June 22, 2022
The discourse around dwelling insists on the fact that we are what we are according to our buildings and landscapes, and also that there is a natural extension between our body and the world.
— Raluca Oancea
June 16, 2022
"Me, Myself and Mycelium" proposes a space articulated from visual elements, techniques, and materialities which overlap in a dialogue responding to the association between organic and synthetic form.
— Mălina Ionescu