The movie is an experimental documentary at a casting-turned-history-workshop: the reenactment of key moments of Nicolae Ceaușescu’s youth, during the time when communism was outlawed.

The Bureau of Melodramatic Research is the institutional parasite par excellence.

Beuys proposed a very broad interpretation of art that went beyond the artistic tradition of his time, an interpretation with which he surprised his contemporaries.

The people in Virgilius Moldovan's work are shaped and depicted as they are visible in the artist's eye. His models usually come to the exhibition openings and pose in front of their "superego".

Alexandra Ivanciu and Jolanta Nowaczyk joined their artistic forces to engage with their own means in the global fight to increase women's access to reproductive and contraceptive rights.

A talk between Michele Bressan, Ruxandra Demetrescu and Diana Marincu.

The exhibition leaves a fair room for the opportunity to revisit a space of mind which is rarely accessed, that of childhood.

Corina Apostol is a curator and art historian who has been the director of the Tallinn Art Hall since 2019.

This status of "in betweenness" permeates through every single piece of the exhibition, and such uncertainty gives rise to an eerie feeling, bordering on fear but not quite succumbing to it.

From communist gray to the intense green of the leaves on an IKEA bedsheet.