The Other Role: On Representation of Roma on the Hungarian Stage
The way Roma are represented exposes the conjunction of ideology, power, and aesthetic fundamentals in Hungarian theatre.
The way Roma are represented exposes the conjunction of ideology, power, and aesthetic fundamentals in Hungarian theatre.
The challenge of Wark's book is: can you imagine a mode of production that would move beyond one’s own version of critical theory?
Corneliu Baba's professional trajectory is interesting not just for art history, but for contemporary artists as well, because the issues he raised are still relevant.
An interview with cultural critic Boris Buden conducted by Cristina Bogdan and Piotr Sikora.
One play that has helped pave the way for a different future for European Roma is Roma Armee, directed by Yael Ronen and based on an idea by Simonida and Sandra Selimovic.
A history of Roma theatre in Romania.
An interview with the artist Virginia Lupu.
Contemporary institutional debates in Hungary and Romania during the transition period.
Alina Popa (1982-2019)
Most Romanian institutions have been intensively promoting the new wave of national values: cultural conformism, pure aesthetic imitation and ideological alienation. With some exceptions.