An interview with Manuel Pelmuș about the series Evening School. Actions by Day and by Night organized at Salonul de proiecte in Bucharest between April-May 2018.

From Benjamin to Deleuze and next year to Agamben: the Venice Biennial and its political positioning.

The extra mile is the new exhibition of Galeria Nicodim, although in this case the works of Cristian Răduţă do not follow the formal logic of the ex-position.

Pre ‘89 Eastern Europe, as hard as it is to speak about it as an entity, concedes freaky, unwilling-to-behave political and apolitical artistic expressions in the show Left Performance Histories.

Metaphor. Protest. Concept. Performing art in Romania and Moldova is a unique publication entirely consisting of interviews with local artists that have worked predominantly in the performative area.

Joanna Warsza’s direction for Public Art Munich 2018 is a commitment to redefining public space and developing commissioned works for a specific audience.

Since his early works, Alex Mirutziu challenges the notion of meaning, representation and language.

On the performance art of El Kazovsky and avant-garde fashion designer Tamás Király, and how to understand 'queer' in pre-1989 practices in Eastern Europe.

The phrase “Formal Encounter is an exhibition of the artist at their most private public moment” closes with a bang the curatorial pseudo-fiction accompanying the most recent exhibition at Nicodim.

An overview of queer manifestations in Czech contemporary art.