Wrestling in the mud. Notes on Romanian painting
Traditional painting infused with some gentle western influence can go side by side with a projection of an exotic country filled with depressing aura out of Herta Müller’s books. Perfect for export.
Traditional painting infused with some gentle western influence can go side by side with a projection of an exotic country filled with depressing aura out of Herta Müller’s books. Perfect for export.
This year, NSK State puts forward a different kind of approach to the issue of immigrants at the Venice Biennale pavilion as well as the alternative pavilion in Vienna.
Hyper-jumps through the ruins of the future: notes, repetitions and digressions in the margins of the exhibition Return to Spaceship Earth at Salonul de Proiecte.
An attempt to amusingly apply aesthetics to chaos (no one knows where/how, but every now and then it becomes bafflingly beneficial) via the exhibition Overthinking how to make a tea at Launloc.
Our exploration of the 2017 Venice Biennial.
A conversation about the complicated relationship between contemporary art and music festivals, with Cosmin Țapu.
Our resident in Poland writes about exhibitions she saw that engaged with the generous topic of interaction between man, matter, technology and landscape.
An interview with the actress Mihaela Drăgan.
A critical report about the art scenes in Bucharest and Cluj from our resident from Szum Magazyn.
An interview with Sebastian Big about the meaning of "an organic tactics of a bio-bourgeois poetics."