Collecting Contemporary Art in Eastern Europe, I. Museums in Regional Rivalry?
First part of an extensive analysis of the state of collecting contemporary art in Eastern Europe since 1989.
First part of an extensive analysis of the state of collecting contemporary art in Eastern Europe since 1989.
A text by Alina Popa, speaking about speaking as no one and subjectivity's extinction as conceptual strategies, deviating from the "Xenofeminist Manifesto" by Laboria Cuboniks. No one speaks.
Revista ARTA launches a critical writing workshop for our young contributors.
On the occasion of national culture day we confronted the pride and shame of being a Romanian woman.
The Xenofeminist Manifesto by Laboria Cuboniks.
Andreea-Lorena Buțincu’s first solo show, “Skinned” is an ambiguous success: it seems to be asking the viewer for a bivalent reception, with the works themselves in an in-between state.
About the impact of European cultural capitals on the evolution of cities that earn this title.