Frequently invited to draw on the walls of art institutes all over the world, Perjovschi seems to have doubled the ironic international media agenda by rapidly commenting on any news.

What does it mean when artistic practice becomes an act of adequacy in relation to a given topic and time interval?

Anton Roland Laub’s recent show at Atelier 35 makes a blurred statement about the architectural absurdities and similarities between the two capital cities Berlin and Bucharest.

When a show about the historical Romanian avant-garde becomes a public scandal - for all the wrong reasons.

The proposal extended to this year’s participants at the Venice Biennial was to tackle, once more, the Western canon – aesthetically, socially, politically or commercially.

Adrian Preda at H’art Appendix.

Ana Maria Micu’s latest project is the route of a mature artist, capable of successfully working with various media and of studying the mechanisms of visual images.

Part of a series of events celebrating 25 years since the fall of the wall, The Forgotten Pioneer Movemen strikes a different chord, if nothing else, because it works with the notion of 'psychodrama'.

The show at the Center for Visual Arts by renowned artist Philippe Ramette is a surprise for the Bucharest art scene because it has an accuracy that could be considered “too much”, “too aesthetic”.

A story about how the whole local artistic universe is applying for AFCN funds and cordless phones that ring with no answer.