A few remarks about how to present films online.

Michele Bressan, Lea Rasovszky, and Larisa Sitar in the exhibition "Bruiaj" at the Art Encounters Foundation in Timișoara.

This imperfect present that we all experience demonstrates that human adaptability in extreme conditions contributes to a reinvention and a progress that is not hindered by our perishable condition.

Radu Jude's last eight movies fast-forward through histories, canons, and traditions, recuperating and, most prominently, advancing transgressive film ideas and practices.

…and why don’t we take them when we are awake?

What is most significant for Andreea and Mălina is the unique moment when forms of both past and present overlap and generate a map of common experiences which have gone unnoticed.

In recent years, the art-technology duo has become so commonplace that its mere display as a novelty is no longer appealing, not even in the Romanian context which seems to always drag behind.

On an infinitely smaller scale, history was repeating itself.

Interviu with sound artist Simina Oprescu

Can the canon of the Romanian nonfictional cinema, born out of the flawed history of documentary cinema, be revised and negotiated?