April 1, 2020
In recent years, the art-technology duo has become so commonplace that its mere display as a novelty is no longer appealing, not even in the Romanian context which seems to always drag behind.
— Marina Paladi
March 25, 2020
On an infinitely smaller scale, history was repeating itself.
— Ioana Terheș
March 17, 2020
Interviu with sound artist Simina Oprescu
— Miron Ghiu
March 10, 2020
Can the canon of the Romanian nonfictional cinema, born out of the flawed history of documentary cinema, be revised and negotiated?
— Călin Boto
March 2, 2020
A critical view on the exhibition Alzheimer and working with memory.
— Ștefan Simion
February 25, 2020
“I found the concept of the conversation liberating” Iris Ordean and Espen Johansen in conversation with Georgia Țidorescu.
— Georgia Țidorescu
February 18, 2020
A curatorial discourse that challenges the way in which the history of postwar Romanian art is written and perceived with already established notions.
— Simona Vilău
February 12, 2020
An interview with artist Victor Ciobanu from The Republic of Moldova
— Teodor Ajder
February 5, 2020
ki is among the first projects to reveal the hybrid territory that is nowadays shared by the visual arts, sound art, and the performing arts.
— Raluca Oancea
February 3, 2020
Let us consider the need of aesthetic determination that guides us into the intimate universes created by four artists linked by the same reclusive, displacive quest towards an immutable luminescence.
— Denise Parizek