Articles

, Andreea Medar_28.03.2020

May 6, 2020

Online/Offline

This imperfect present that we all experience demonstrates that human adaptability in extreme conditions contributes to a reinvention and a progress that is not hindered by our perishable condition.

— Ada Muntean

April 30, 2020

To Investigate, To Instruct

Radu Jude's last eight movies fast-forward through histories, canons, and traditions, recuperating and, most prominently, advancing transgressive film ideas and practices.

— Călin Boto

April 14, 2020

The Geopoetics of Feral Streets

What is most significant for Andreea and Mălina is the unique moment when forms of both past and present overlap and generate a map of common experiences which have gone unnoticed.

— Anca Mihuleț

April 1, 2020

Beauty Lies In The Phone Of The Beholder

In recent years, the art-technology duo has become so commonplace that its mere display as a novelty is no longer appealing, not even in the Romanian context which seems to always drag behind.

— Marina Paladi

March 10, 2020

The Fictitious Non-Fictional Canon

Can the canon of the Romanian nonfictional cinema, born out of the flawed history of documentary cinema, be revised and negotiated?

— Călin Boto