"Bucureşti Sud" questions this particular area of the capital from the perspective of the industrial and post-industrial spaces that can be reconverted into artistic spaces or spots for hosting events

An ideologically assumed perspective of the protest movements and of our relationship to recent history. An interview with David Schwartz.

Bucharest Art Week featured multiple voices, but in the tense environment of Romania's capital, was anyone listening?

In Romania’s 2000s, poor fusions and assimilation between sources, tendencies, ideas and incompatible formulas have developed the ability to function as a hybrid.

This text discusses the Romanian music scene, focusing on its extreme manifestations within the experimental trend, be it acoustic, electroacoustic or purely electronica.

Queer time, especially in the (non)spaces of theater and performance, or in queer spaces such as clubs and the BDSM scene, has the potential to generate a new way of exchanging knowledge.

“The queen of the arts” entered the 21st century unchanged, with its same old obsolete poetics, its dusty narratives and a sick addiction to the past.