Queer time, especially in the (non)spaces of theater and performance, or in queer spaces such as clubs and the BDSM scene, has the potential to generate a new way of exchanging knowledge.

“The queen of the arts” entered the 21st century unchanged, with its same old obsolete poetics, its dusty narratives and a sick addiction to the past.

Berlin is home to to an experimental cutting edge arts scene, and is an important international stage for the emergence of new practices. Where does painting fit into this terrain?

Unaltered by time and apparently culturally unanchored, Decebal Scriba’s work ignores the political dimensions of man, in favor of an in depth and spatial search of experiences.

Rising from the post-industrial aesthetic of Bucharest and reaching beyond the post-communist artistic expressions, Suprainfinit gallery makes its entry as one of the new cool kids in town.

H.arta Group makes an inside analysis on the complex event Art Encounters.

Veda Popovici’s work on display at Atelier 35 uses the tool of re-historicisation – or re-narration – of art history as a starting point for a revolutionary feminist discourse.

This year, Romanian contemporary art received the validation it seems to have been awaiting for a long time.