Interrogations on life, death, freedom and value in artistic creation. An analysis of the process of putting together a cultural heritage.

Theatre, as the “newspaper of the poor,” and dance, as an expressive form often prone to exoticization, became vehicles of performance for the Spanish Gitano identity.

Illegalized: Africans die and do ghosting, Romanians do rage, and the English do irony.

Chemtrails is the current show at Nicodim Gallery in Los Angeles bringing together recent work from Mi Kafchin.

Within the Landschaft (Peisaj) project undertaken by Galeria Posibilă and Fotogalerie Wien, exhibiting ten Romanian artists in Vienna and six Austrians in Bucharest is just the tip of the iceberg.

A dreamy look at Janek Simon’s Retrospective at the U-jazdowski Castle Centre for Contemporary Art in Warsaw.

The opening exhibition at Kunsthalle Bega under tight scrutiny.

The way Roma are represented exposes the conjunction of ideology, power, and aesthetic fundamentals in Hungarian theatre.

The challenge of Wark's book is: can you imagine a mode of production that would move beyond one’s own version of critical theory?

Corneliu Baba's professional trajectory is interesting not just for art history, but for contemporary artists as well, because the issues he raised are still relevant.