Mămăligă de Varșovia (“Warsaw Bitter Maize Porridge” – on their second issue) does not exist solely on paper, but is the product a socially engaged and culturally active collective.

Interview with Gabriel Stoian, artist and curator at the artist-run space New Now in Frankfurt.

Places where Katja Lee Eliad's work becomes fragile.

Late last year, Ivan Gallery opened the exhibition Do the mountains know?, a retrospective of the artists Ion Râmnic and István Mihály, active in Transylvania.

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A closer look at the work of Andreea Anghel.

Could new sincerity manifested through performance art be the cure for post-modern ennui? This belief echoes throughout Prague’s art scene and beyond.

The singular approaches of Sorin Oncu and Raluca Ilaria Demetrescu in the mid-2000s.

If performance art belongs to the unmarked, the absent, then performative writing must take on the role of erasing all that has already been marked and expropriate all that has already been possessed.

Gala by Jérôme Bel is about the non-hierarchic, mobilizing and emancipating access to the stage which is normally confiscated by legitimized virtuosity.